For the very beginner in astrophotography( like me) it is all you need( at least for a while).Dickinson and Newton used a clear text adding their expereance. The book begins talking about the universe, then goes to the basic camera on tripod( comets, moon and Earth shine, star trails, etc). To follow the Earth's movment(for those 10 minutes exposures), I learned and built my on Star Tracker - It is very precise and useful because I could find the south celestial pole in my first try as I learned from page 70. As I still didn't buy my own "good telescope", I am not the best person to say about Part 3: Probing Deeper- through the telescope; but it covers all the inicial steps,adaptation, films and filters for lunar /solar photos.The last part tell us how to use the CCD tecnology:choosing a CCD camera,how to color the image and to process it.For the one who want more detail on digital imaging, this is not your book. Bad points are: it does not teach you where(all) the "subjects" are ,missing on CCD shoftware; almost anything on Southern emisfere sky. Good point: a lot of amateurs photos, showing that you can do it. Finally, this is a very good inicial book FOR THE BEGINNER ASTROPHOTOGRAPHER.

I really like everything about this book. It offers great, practical advice on learning how to take "astro"photos. Many beautiful pictures also. I am currently building my own camera mount based on guidelines in book. Anyone interested in astronomy and/or photography should get it!

The book is great. Terry and Jack did a wonderful job. By the way I am on page 64 with the camera tracker. I noticed a typo on this web page under table of contents. You have Sides versus prints and should be SLIDES verses prints.

Clear skies Gary Boyle Observer's Group Chairman Ottawa Centre, Royal Astronomical Society of Canada

This book offers a unique perspective on Corvette restoration. The author restores a 68 Corvette and summarizes the process throughout the book. The car is kept looking stock, but has been fitted with some high-performance modifications such as a high-torque motor and racing-style suspension components. This book gives the reader an alternative view that differs from the factory original restoration.

One major flaw to his plan is the lack of a track test data section like those found in some automotive magazines. Do all of these modifications really result in a Corvette that is faster and handles better than a factory original? That question is never truly answered. This book is actually a compilation of how-to articles that first appeared in Corvette Fever magazine in the 90s. Thus, it is saturated with product plugs for everything from car parts to spray paint.

Another problem that shouldn't go without mention is some bad advice given by the author. For example, he takes a 30 yr. old fuel tank, dumps a can of sealer into it, and puts it back into the car. When you consider the overall cost of a project like this, a new fuel tank is a drop in the bucket. He also tells the reader to use a brass punch and a hammer to install the fuel sending unit. Don't try this. They make a special tool for this purpose. You wouldn't want your prize restoration turning into a prize inferno. Overall, this book contains some good information that you don't find in other restoration books, but it could use a newly revised edition.

This book has some good informational tidbits, but unfortunately not enough detail. I guess if a person does not have a lot of experience working on a car and has bought an older Corvette in decent shape, then perhaps the book may encourage the person to do some work on their own. It's not useless, but not really detailed, either.

One of the disappointing factors is that alot of what is presented could have been from a "How to restore a Chevy" book. One of the main differences between a Corvette and a Chevy is the fact that a Corvette is fiberglass. In depth fiberglass repair is never covered in any Corvette restoration book, service manual, and repair manual I've seen so far. Most Corvettes that need restoration have been beat on to varying degrees, and that means fiberglass repair and possible debonding & bonding, patching and realigning major body panels. It would have been nice to see this feature, because while even many car enthusiasts have worked on steel bodied cars, fiberglass, and the methods that Chevy used in joining the fibreglass to the car (bonding in so many different, and hidden, places) presents some interesting differences (and headaches!).

Mr. Newton spends a lot of time coaching people on how to buy a Corvette and seems to want to steer people in an economically safe direction, but if you are buying & truly restoring a Corvette, you are not exactly making an economically frugal restoration statement! Unfortunatley this is not unique to this book, beacause almost every instructional restoration or how-to book spends chapter(s) on "how to buy a car" - perhaps this is required by the publishers?

But while on the subject on how to buy a car, the author speaks like well driving, good condition Corvettes are common, and tries to steer the reader in that direction. In my neck of the woods (Central Florida) most nice Corvettes are definitely not for sale, and when they are, they do not need a complete restoration. Perhaps a little work here and there, but not a real restoration. Most economic Corvettes for sale here are basket cases, and these are the ones that need a complete restoration. The author also speaks like 68-72 L88's & big blocks are common, indicating that at any given time there are at least a dozen L88's for sale. Perhaps in Hemming's in different parts of the USA, but I've been interested in Corvettes for the past 7 years, I have *never* seen an L88 for sale in Central Florida in the local paper. He also says that the 68-72 big block 427's & 454's are not rare at all - their rarity is a myth. He is correct based on a pecentage of these cars built. But for sale today? I maybe come across about 1 or 2 a year in the local paper. I've only seen three 454 Corvettes (no 427s) in the past 7 years on the road, and I'm not sure if any of the cars were an authentic LS5 or LS6 or not! The only time I see these cars for sale are at car shows, and I'm not sure a car show is the best place to buy a car - can't do a title check over the weekend - and the owners want a lot of money anyway. The overwhelming majority of the factory built big blocks in Central Florida are not for sale, and one cannot find one at any time (at least here).

Mr. Newton's tone, perhaps intended to be informal and friendly, seems at times to be a bit on the sarcastic side, and this detracts from the reading. It really did not add anything to the material presented.

Overall, if you are restoring a Corvette, the best bet-mechanical books (from my experience) are a repair manual like Haynes, the Assembly manual for your model year, "The Corvette Restoration Guide" by Richard Prince (not a restoration how-to guide either, but a good description of what was available and when, so a great check list when doing a real restoration). As far as painting goes, my wife has the 1984 edition of "How to Restore Your Collector Car" by Tom Brownell, which is excellent. I have not seen the 1999 edition, though, and hope nothing was left out.

If you get this book, please bear in mind that it is informational, and while having some interesting and helpful tidbits, it is not really a restoration bible.

have not seen or read the book...but need help with my car.

i was disapointed that there were no pictures in the book. i also felt that more detail should have gone in the ending such as last meal, who attended the execution, and interviews with families of the victims

This book is quite awsome. Vivid description will put you into Eddie's mind and see the true horror of a serial killer.

This chilling expose' of Eddie Cole's mind, written by criminologist Michael Newton, is quite terrifying. Cole is one of the most depraved personalities of all time, equal if not higher than the other sicko we all know, Henry Lee Lucas. It is frightening what a damaged psyche can do; my only complaint is the lack of photos:they would have been a nice addition to this fine volume.

I only have the earlier reviewers to go on, but if this book claims that Newton only turned to alchemy and scriptural exegesis after his nervous breakdown, then that part of the book must also be read as fiction.

Read Betty Jo Teeter Dobbs' scholarly analysis in her book "Foundations of Newton's Alchemy" to see just how strongly the evidence supports the conclusion that he simultaneously investigated the Bible, arcane alchemical claims, optics, metallurgy, astronomy _and_ mathematics for over 30 years, then suppressed everything but the mathematical physics when he wrote his "Principia". In this case, biography truly is stranger than fiction.

"The Newton Letter" is a mere eighty-one pages, a good thing since this imaginative and masterfully written, but often cryptic, novel needs to be read at least twice (if not three times) to fully appreciate John Banville's enigmatic, introspective tale.

Written in the first person, the nameless, fiftyish male narrator of "The Newton Letter" is an historian who has spent seven years writing a book about Sir Isaac Newton. Seeking a sanctuary to finish his work, he rents a small cottage at an estate in southern Ireland known as Fern House, "a big gloomy pile with ivy and peeling walls and a smashed fanlight over the door, the kind of place where you picture a mad stepdaughter locked up in the attic." It is a setting, and a story, heavy with gothic overtones.

In his words, "the book was as good as done, I had only to gather up a few loose ends and write the conclusion-but in those first few weeks at Ferns something started to go wrong . . . I was concentrating, with morbid fascination, on the chapter I had devoted to [Newton's] breakdown and those two letters [Newton had written] to Locke."

He becomes obsessed, however, not only with Newton's two letters to John Locke, but also with the inhabitants of Fern House: Edward, the often drunk master of the house; Charlotte, his wife, a tall, middle-aged woman with an abstracted air and a penchant for gardening; Ottilie, the big, blonde, twenty-four year old niece of Charlotte; and Michael, the adopted son of Edward and Charlotte.

The narrator soon becomes entangled with Ottilie in a mysterious way when she appears at his door. "It's strange to be offered, without conditions, a body you don't really want." But what, exactly, is the nature of his relationship with Ottilie? When he embraces her, he feels "the soft shock of being suddenly, utterly inhabited." In the pervasive aura of the gothic, the reader wonders exactly what is happening, for, as the narrator enigmatically relates in the middle of the novel while making love to Ottilie, "how should I tell her that she was no longer the woman I was holding in my arms?" It is a strange statement, presumably intended to refer to the fact that the narrator's true obsession is with the older, aloof Charlotte, even as he cavorts with Ottilie. The mystery is fed by the narrator's conclusion, where he speaks of brooding on certain words, "succubus for instance." It suggests, in short, a kind of surreal narrative imagining, where the realism of the narrator's struggle with his book on Newton is confounded by the incursion of the strange, enigmatic and, at times, dreamlike inhabitants of Fern House.

"The Newton Letter" is a powerful, intricate and allusive work of imagination that demands the reader's careful and thoughtful attention. Banville shows, with remarkable skillfulness, how the narrator's imagined history of the inhabitants of Fern House is undermined by successive, incremental discoveries of the reality of their lives. At the same time, Banville draws on the gothic to lend his tale an imaginative element that is both a counterpoint to the real lives at Fern House and a touchstone to the enigma of the Newton letters. Like great works of literature, "The Newton Letter" is an ambiguous text open to many interpretations, the writing an elliptical treasure that allows the reader's imagination to run free in the interstices of Banville's creative field.

I had borrowed this book from the library a long long time ago and I somehow happened to pick it up after like 3 books and read it in a span of two days! This was the first time I was venturing to read a Banville and thank god, I did decide to pick it up. A short novella - around 97 pages and riveting!

This book is a letter written by the narrator - who is nameless and has entered the Irish countryside to finish his book on Newton only to discover and re-discover his own denied passions and emotions. His cottage is situated in a place called Fern house where he encounters a strange lot of people - Edward, Charlotte, Edward's Sister Diana and her husband Tom, Ottilie - Charlotte's so-called niece and little Michael. As the narrator gets engrossed in their lives, he loses focus of the book, only to drown it. This is a classic juxtaposition of how Newton one fine day gave up on science and took to alchemy.

This book is one of a kind and when I say this, I really mean it. Banville conjures a mystery, a love story, a discovery sometimes and beauty of language so rare these days in most novels - and where else can one find such a combination and being told in 97 pages!! Wow!!

This book is so poorly written and has no profundity at all.
Folksy wisdom anyone learns just living life.
I find none of the stories inspirational because they are sophomoric and mere reports of average struggles and bland testimonials without any substance or insight at all.

If you want to read and inspirational book leave this one on the counter. This is a self-aggrandizing account by a narcissist living out a frenetic existence. The author writes nothing pity about the author's personal life? Does he lead a life that is balanced? My impression is this is a savant with one directional and one dimensional skills and experience. Blah Blah Blah Blah Blah as the saying goes. This review is more exciting than this mundane pseudo informative self-help cud.

Mack Newton's book is a rehash of pop-culture trash that's been written about before. And much more profoundly. For various reasons (based on a rationalist's skepticism), I really do question the validity of most of the book's contents. And in a "self-help" book such as this, integrity is all important. If a story is created just to make a point, that's nice and all. But getting happy applying Mack's advice in real life works the same way you get rich by playing the lottery. Additionally, the book is self-published by Mack himself. Listen folks, the world is made up of a million self-help gurus selling us stuff to make us like them. How may ways can these people rehash such simple human observations such as, "to thine own self, be true, "seek and ye shall find, and, "life is misery." Read a novel. Don't buy this book.

This is one of the most inspirational books I have read in a long time. I don't seem to have read the same book as the previous reviewer, who labeled it "rehashed trash." I also find it interesting that he chooses to remain anonymous while spewing vitriol. He seems as though he has an axe to grind and a great deal of personal resentment toward Mack Newton. At any rate, this book contains some timeless observations about human nature, as well as some refreshing and thought-provoking ways to live your own life with sincerity, integrity and joy. I highly recommend it, as have the other reviewers I read on this page.

This book is definately for the experienced costumer - and for somebody who is deeply interested in researching fashion in this era.

It is a book that is full of detailed descrption, although the lack of colour illustrations is definately a minus. I had hoped that with the re-issue the photographs would have been re-taken in colour.

I found it to be very useful, but definately not something to sit down and read - it is definately a "study" type of read.

i would just like to say that i was extremely dissapointed with this book due to the lack of illustrations especially colour illustrations of which thier were virtually none. id have to say that i was decieved by the books lovely cover page.

This book is filled with useful information for those interested in the costume of the period, although it can be hard to untangle some of the author's sentences. Newton covers the period in short segments (a few years at a time), examining the changes to costume throughout Europe as documented in a variety of sources - contemporary descriptions in chronicles and literature, illuminations, condemnation of fashion by clerics, sumptuary laws, and household accounts. The glimpses into social history, economics, politics and class structure are also useful. My only regret is that she strictly limits herself to the period in question and that there aren't more illustrations. But this book is an excellent resource.

I thought this book is on investing on stocks in the internet. It is not. It is mostly a theoritical book talking about "internet stocks". It was not even clear to me what he meant by the internet stocks. I am sorry to rate it as single star. I am returning this book because it does not serve my purpose.

There is a new type of stock on the market, the Internet stock, which are unlike any other type of stock. You need new evaluation methods and analytical techniques to evaluate their potential and risk. In his book, the author gives you ideas on how to analyze Internet stocks.

After a few spectacular boom-and-bust cycles it has become clear to most sensible observers that Internet stocks are real, and will be an essential part of the economy in the future, but also that many highly-touted stocks are terrible investments. The old accounting rules and valuation theories don't apply, but the new rules don't work any better. Companies founded and backed by people who were yesterday's success stories end up tomorrow's disasters. Other companies that break all the rules hit it big. Finally there is a book that offers every investor practical guidance on how to separate winners from losers. This isn't one of those play-it-safe books that tells you to look for companies so perfect you'll never find one; Professor Newton understands that you are buying Internet stocks to win big, and therefore have to take the chance of losing big. But this is also a book that takes risk seriously, and steers the reader away from the insubstantial stocks without sound business models. The book assumes nothing but some common sense, yet teaches an investment discipline that is every bit as professional as you will find anywhere on Wall Street or in Silicon Valley.

This was a pitiful excuse for a book. Not one mention of Mr. Spock or any of the other great Vulcans from Star Trek. You would think that if they wanted to do a search for the planet Vulcan, they would have taken it more seriously.

As an occasional naked eye astronomer I was able to follow Sheehan and Baum's work without difficulty. They provide an accessible history of the development of the concepts that lie behind the discovery of the solar system from Ptolemy to Einstein. They describe observations by astronomers but also pay attention to contributions from mathematicians without presenting the readers with a single equation. There are brief biographical asides on some of the main players (Sheehan's day job is as a psychiatrist) but the main thrust of the book is scientific.

Particular interest is shown in the (serendipitous) discovery of Uranus followed by the (predicted) discovery of Neptune. The discovery of Neptune based on the known perturbations of the orbit of Uranus. This success focussed attention on the erratic orbit of Mercury, which advances seemingly inexplicably. We now know that this apparent motion is caused by the bending of space/time by the Sun's gravity, but the authors leave this for last. At the top of the conceptual staircase we learn that when Einstein explained the advance in Mercury's orbit using Relativity he couldn't sleep for 3 days with the excitement.

Another gem of a book by William Sheehan, joined in this venture by astronomer Richard Baum. In the 18th and 19th centuries, Newton's theory of universal gravitation had enjoyed some incredible triumphs, and stood as a monument to the mathematization of science. Three thorny problems remained however, to disrupt the harmony of Newton's universe: the motion of the moon, Mercury, and Uranus. Sheehan and Baum tell the amazing tale of mathematics and astronomy in their pursuit of the answers to these puzzles. This book is a must-read for any buff of astronomy history - Newton, Horrocks, Clairaut, Laplace, Lagrange, and so on. Considerable time is given to the discovery of Neptune, first on paper by Adams and Le Verrier, and by Galle at the telescope. Sheehan and Baum's retelling of his historic tale is even better documented than Grosser's book on the subject. Finally, the problem of the shift in Mercury's orbit. The pressure to find a Newtonian solution was immense, given the previous victories obtained using Newtonian mechanics. Le Verrier was susceptible to this pressure, owing at least in part to his previous success with Neptune. However, this problem resisted even Newton, and was not finally solved until Einstein's theory of gravity supplanted Newton's early in the 20th century. The interwoven stories of astronomers and their diligent search for the elusive planet Vulcan are entertaining and provide a unique perspective on 19th century astronomy.

This CD lets you see a lot of Las Vegas in the cool Quicktime VR format. You can take a 'virtual tour' and get a good idea about how to plan a trip to Vegas, and see a variety of perspectives on the action!

I got the CD for Chirstmas and thought that it was a great CD. It was fun and bought back some cool memories. I would recommend this CD if you love Vegas.

I bought this CD sometime ago and thought that it was a great resource for my family. If you are ever going to go to Las Vegas you should see this CD. It really helped us grasp a very confusing and overwhelming town.